Software

Goodbye Adobe Lightroom, pass the mouse to Capture One please...


So I have been using Adobe Lightroom for roughly eight to nine years, and it was only recently that I looked at Capture One as a potential replacement.

The massive advantage of Adobe Lightroom was the speed of the catalogue, it far outpaced Capture One whose performance was like a snail that had been stepped on while trying to climb up a downward running escalator. Less Escargot as Escarg-no!

Lightroom offers a vast array of features for searching metadata and sorting images into Collections. I can search by a camera, iso, aperture etc very quickly, something that Capture One really struggles with. I don’t really need that feature anymore.

Capture One renders raw files much better than Adobe Lightroom, and there was a marked difference in noise quality in low-light images, which most of mine are when shooting Cabaret shows.

My needs have changed over the course of the years, I sold my Canon cameras and rarely go back to the images they took. I have always created my own catalogue system on my PC so in the event I swap to another raw file processor/catalogue system then I have all my images where I want them and will not be shoehorned into how a new application wants me to house them. This worked fine when I moved to Capture One, I opened a new catalogue file and imported the files. The catalogue folder expanded very quickly when searching through the folders. Changes to the images and a small thumbnail are saved when you access/change anything. Unlike Lightroom which holds them in one catalogue file.

This represented a problem for me as I like to edit on my laptop as well. I recently upgraded the laptop’s 2nd NVME to a two-terabyte model to hold a replica of the images on the main drive of my PC. Any images I update or introduce to one can easily be moved to the other. However, I would then have to update or copy the catalogue over. This isn’t too bad as on both units the images and catalogue are held on a drive labelled D:, the file structure is the same so the catalogue will find the updates.

Except Capture One has a feature called Sessions, I use this for studio shoots, one for each model I shoot with. This allows Capture One to easily open a folder and work on it immediately. A Capture One folder is created in the host folder and holds the settings and cache files.

This opens up an interesting opportunity. Could I use a Capture One session as a catalogue? All my files and folders are in the place I need them. For example, once I have finished a folder of show images, I can copy the folder to the main PC, this copies the images, settings and cached thumbnails in one hit. The folder then sits on the main PC drive. I can then open the Capture One session on the PC, navigate to the folder and everything is there, the images, the changes and the thumbnails already there.

I stumbled on another idea alongside the first. With my studio work, I ask the models to let me know which of the images they like and which they do not. Likes are given a green tag and dislikes are marked in red. So I would have to do this on the other units’ session file too? Nope, as long as the files, folders and cache are there, then all I need to do is copy the updated cache files, open the Capture One session file and it reads the updates.

If I wanted to rearrange the folder structure of my images on my hard drive I would have to make the changes in the catalogue itself, be it Capture One or Lightroom. Otherwise, after the changes are made I would have to import the new folders. Lightroom can do this fine but changes would be lost as well as in Capture One. Sessions don’t care where the files are… you just open the session file, navigate to the folder and it reads it fine.

When it comes to archiving the files I would of course want the changes to go with the folders so they are copied. It is not really necessary to copy the thumbnails to a backup medium they can always be recreated if needed.

And another thing!! When using Sessions in Capture One, the whole of the file system is shown in Windows via the System Folders. This can mean a lot of dialling down to the folders you want.

With my filing system that can mean a lot of clicking open folders, however, I made use of Windows Libraries that are situated higher up the System Folders list. These libraries can be used as shortcuts to folders deeper down the folder tree. If I find I have a folder I visit more often than others then I can create a new Library shortcut to quickly access it rather than multiple clicks

Using sessions is a far faster and more accessible workflow than being tied down to a catalogue. Greater flexibility when moving files and folders around too.

I wonder what other tricks I can come up with?

Super-Resolution - Part 1, Wide-angle Experiment

Adobe has released Camera Raw 13.2 which brings in a couple of new features which got me thinking: I can now use Adobe Camera Raw to double the resolution of an image and enhance the details at the same time. I could just enhance the details and keep the same resolution but if I am going to do it why not make it a large one?

Powered by Adobe Sensei, Enhance allows you to increase image quality for making large prints or increasing the resolution of a cropped image.

I needed to test this. So I travelled to a place I hadn’t been to in a long time, the Nelson Memorial in Merton, situated next door to St John the Devine church. The memorial has two cannons flanking a dedication stone.

As a memorial of Lord Nelson and the splendid services which he rendered to his country this land (which formed part of his Merton estate) was given on the first centenary of his death to the Merton Parish Council for a public recreation ground by a great-nephew of the late Rear Admiral, Isaac Smith of Merton Abbey

115 years after the memorial opened in 1906, I splendidly trudged up in the early hours of the morning. I last visited here a number of years back to practice with my Canon 550d (no pun intended) along with the 50mm f1.8 lens.

This time I had with me the Sony α7 III with the Sigma 10-20mm f3.5 wide-angle lens nailed to the front by the Sigma MC-11 adaptor. When the wide-angle lens is attached to the Sony α7 III, it drops down to crop sensor mode, reducing the megapixel count down from 24 to 10. The thinking behind this experiment is to take a shot and upscale it using Adobe Super Resolution to see the quality and validity of using this, instead of purchasing a native wide-angle lens.

Boom!

So this is the original shot. The image was thrown into Camera Raw and using the Super Resolution tool resulted in the following differences. You immediately notice the file has changed to a DNG file, Adobe’s Digital Negative raw format. It’s a lot bigger than the original so how does zooming in look like?

Original: Pixels: 3922x2615 24MP / Raw File: 11MB / Jpeg: 9.84MB / JpegMini: 4.6MB / JpegMini Final: 2.4MB

Super: Pixels: 7872x5248 42MP / DNG File: 156MB / Jpeg: 38.5MB / JpegMini: 19.4MB / JpegMini Final: 12.1MB

100% zoom of the original image.

100% zoom of the Super Resolution image.

I next wandered into the grounds of St John the Devine to take a shot of the church. and tried the same experiment. Again a large DNG is produced.

Original: Pixels: 3922x2615 24MP / Raw File: 11MB / Jpeg: 9.59MB / JpegMini: 4.6MB / JpegMini Final: 2.37MB

Super: Pixels: 7872x5248 42MP / DNG File: 146MB / Jpeg: 34.3MB / JpegMini: 12.1MB / JpegMini Final: 10.3MB

_DSC2850.jpg

100% zoom of the original image.

100% zoom of the Super Resolution image.

In conclusion, is this worth it? Yes, Super-resolution does allow me to boost the MegaPixel count to a great degree and I can crop in a little if I need to. I rarely have a need to print out high detailed posters so for now, this saves me having to purchase a native wide-angle lens for the Sony α7 III.

One thing to note. When Rawsie arrives it can also compress DNG files if they haven’t already been created with lossy compression. That might help the larger DNG over the original RAW.

Package DOS batch file

Package - Windows DOS batch file

The Package batch file was created to facilitate the final stage of delivery. Once all editing has been completed, the final images are exported to a folder on the Desktop. The exported folder is then dragged to the Package batch file, also on the desktop.

  • Runs JpegCleaner against the incoming folder.

  • Launches the 7z.exe, the ‘a’ command adds all the files to %1.zip. %1 is a variable that uses the dragged file name and location to create the ZIP file. -sdel command deletes the original folder.

  • Work out if this batch file has been run on the Laptop or the PC then launch the required move command

  • Move the ZIP archive file to the Dropbox location.

  • Start the Dropbox application whether it is running or not.

  • The batch file then auto quits.

Basically once the folder has been dragged to the batch file I go and make a cup of tea. By the time I come back the package is ready in the Dropbox folder, the link can now be sent to the client.

In future, I could look at having Capture One export to a predefined area, then the batch file could target that location and I would not have to drag and drop the folder.